Frindge Shades

Color emerges between light and darkness, not as representation but as event. Working with transparent tape, filters, and reflective surfaces, the piece constructs a field of flicker in which perception oscillates between the physical and the subjective. Minimal means generate unstable chromatic intensities that exceed the image itself, extending into afterimage, rhythm, and retinal persistence. Time is not measured but produced through intervals of light, where vision approaches its own threshold.