
Directing
Arthur Ripley
EN cinema · 55 credits
Born
12 January 1897
Died
13 February 1961 (aged 64)
Birthplace
New York City, New York, USA
Also known as Arthur D. Ripley
From Wikipedia, the free encyclopedia Arthur DeWitt Ripley (January 12, 1897 – February 13, 1961) was an American film screenwriter, editor, producer and director. In 1923, he joined the Mack Sennett studio as a comedy writer. In the 1920s, he worked closely with Frank Capra churning out screenplays for many movies. After breaking with Capra and the Sennett studio, Ripley again returned to being a gag-writer, screenwriter, and occasional director, making short films with such comedians as W. C. Fields and Edgar Kennedy. His directorial work in the 1940s, Voice in the Wind (1944) and The Chase (1946), were both critical successes, but neither film were boxoffice hits. Ripley entered the world of academia, helping to establish the Film Center at U.C.L.A. while also working occasionally on TV. Ripley returned to directing one more time, at the request of Robert Mitchum, for Thunder Road (1958) before returning to U.C.L.A. and working until his death in 1961.
Known for
Filmography

Thunder Road
Director, Producer

Dark Stranger
Director

The Chase
Director

Voice in the Wind
Director, Original Story

Prisoner of Japan
Director, Screenplay

Waterfront
Screenplay

Everybody's Hobby
Dialogue

I Met My Love Again
Director

Will Power
Director

How to Train a Dog
Director

How to Behave
Director

The Leather Necker
Director, Writer
In the Dog House
1934
In the Dog House
Screenplay, Director

Counsel on De Fence
Director
Shivers
1934
Shivers
Writer, Director

Elmer Steps Out
Screenplay

The Pharmacist
Director

The Barber Shop
Director

The Wrestler's Bride
Director, Writer

Hide-Out
Writer

The Bluffer
Screenplay

Captain of the Guard
Adaptation

Heart Trouble
Director

The Strong Man
Writer, Editor

Hooked at the Altar
Director

His Marriage Wow
Screenplay

A Lady of Quality
Adaptation

Life's Darn Funny
Scenario Writer

The Wonderful Adventure
Camera Operator

Should a Mother Tell
Camera Operator

A Price for Folly
Director of Photography




















