
Camera
Frank D. Williams
EN cinema · 52 credits
Born
20 March 1893
Died
16 October 1961 (aged 68)
Birthplace
Nashville, Missouri, USA
Also known as Frank Douglas Williams · Frank Williams
Frank D. Williams (March 21, 1893 – October 15, 1961) was a pioneering cinematographer who was active in the early days of the motion picture industry. He developed and patented the traveling matte shot. Frank D. Williams was born March 21, 1893, as Frank Douglas Williams, to James and Lucinda Williams in the small community of Nashville, Missouri. In 1912, Williams became a cameraman at Keystone Studios. There, in 1914, he was the photographer for many of Charlie Chaplin's first-year pictures, including Kid Auto Races at Venice which was the first film released in which The Tramp appeared. Williams is credited as appearing in Kid Auto Races at Venice, playing a cameraman, but his appearance is in doubt. For a time he was chief cinematographer at Keystone, and a large number of the studio's 1914 films are credited to him as photographer. He defected to work for the short-lived Sterling Motion Pictures, but returned to Keystone when Sterling closed in 1915. He also worked a camera for Henry Lehrman's L-Ko Kompany, Reliance-Majestic Studios, and Bluebird Photoplays. When Roscoe Arbuckle formed a new motion picture company, Comique, in 1917, he hired Williams to be his cameraman. At Comique, Williams also shot Buster Keaton's first film appearance, The Butcher Boy (1917). His tenure there was also short; he shot three films for Arbuckle (Butcher Boy, A Reckless Romeo, and The Rough House) before departing to start his own lab. His business did not get off the ground quickly, and he supplemented his income by continuing to work as a cameraman. He was director of photography at Sessue Hayakawa's Haworth Pictures Corporation and is credited with 15 pictures that came out of that studio between 1919 and 1921. While he was working as a cameraman at various studios, Williams worked on his idea for a traveling matte in which the actions of actors would be combined with a filmed moving background. Available technology prevented him from achieving the effect he envisioned until he built a printer himself to his own specification. He filed for a patent in May 1916, and it was granted in July 1918. The process was first used in a motion picture in 1922's Wild Honey. From Wikipedia, the free encyclopedia
Known for
Filmography

The Invisible Man
Visual Effects Supervisor

Sunrise: A Song of Two Humans
Special Effects

Where Lights Are Low
Director of Photography

The Swamp
Director of Photography

Black Roses
Director of Photography

The Devil's Claim
Director of Photography

The Beggar Prince
Cinematography

The Brand of Lopez
Cinematography

The Dragon Painter
Director of Photography

The Man Beneath
Director of Photography

The Tong Man
Director of Photography

His Debt
Cinematography

The Illustrious Prince
Cinematography

Secret Strings
Cinematography

Queen of the Sea
Director of Photography

A Reckless Romeo
Director of Photography

The Rough House
Director of Photography

The Butcher Boy
Director of Photography

The Floorwalker
Director of Photography

The Vagabond
Director of Photography

Hop - The Devil's Brew
Director of Photography

Kid Auto Races at Venice
as Cameraman (uncredited), Director of Photography

His Prehistoric Past
as Caveman (uncredited), Director of Photography

His New Profession
Director of Photography

The Fatal Mallet
Cinematography

Caught in the Rain
Cinematography

Getting Acquainted
Director of Photography

The Property Man
Director of Photography

Caught in a Cabaret
Director of Photography

A Busy Day
Director of Photography

Making a Living
Director of Photography

Mabel's Strange Predicament
Director of Photography

A Film Johnnie
Director of Photography

Between Showers
Director of Photography

Tillie's Punctured Romance
Director of Photography

His Favorite Pastime
Director of Photography

Recreation
Director of Photography

Tango Tangles
Director of Photography

The Masquerader
Cinematography

His Musical Career
Cinematography

Her Friend the Bandit
Cinematography

Laughing Gas
Cinematography

The Face on the Barroom Floor
Cinematography

Gentlemen of Nerve
Cinematography

His Trysting Places
Cinematography

Mabel's Busy Day
Cinematography

Those Love Pangs
Cinematography

The New Janitor
Cinematography

Dough and Dynamite
Cinematography

The Rounders
Director of Photography

The Knockout
Director of Photography

Mabel's Married Life
Director of Photography

